2007
The East-West encounter literary genre is an axiomatic creative manifestation of our colonial/post-colonial inheritance. Both Indian English and Anglo Indian literary historiography is indelibly etched with the contours of this encounter.
The East-West encounter literary genre is an axiomatic creative manifestation of our colonial/post-colonial inheritance. Both Indian English and Anglo Indian literary historiography is indelibly etched with the contours of this encounter.
It would be unfair to place the present volume of ‘A History Of Indian Literature: From The Courtly To The Popular, 500-1399’ by Sisir Kumar Das in the context of his earlier well-received, critically acclaimed, scholarly yet reader-friendly volumes covering the period 1800-1910 (Western Impact: Indian Response)
The line separating Narayan’s world from the world of Narayan’s fiction has always been a blurred one, and the viewer trying to distinguish between the two will tend to suffer from what Narayan himself inimitably called, in the autobiographical context of his tangential glimpses of his wife-to-be at the street tap, ‘a continually melting vision.
Mark-Anthony Falzon’s book on the Sindhi diaspora is an ambitious project from the standpoint of a social anthropologist. It is based on fieldwork in three places, London, Malta and Bombay.
Intellectuals and academicians pre-occupied with ‘armchair theorisation’ in past have been showing much sentisation towards the present socio-economic-political crisis coming forward with their research and academic skills to take up the challenges of development and the incarnation
The above book is a volume that has come out of a three day National seminar organised by the C.Achuta Menon Foundation , Thiruvananthapuram on 8, 9, and 10 December 2005. The volume has been deservingly dedicated to Comrade K.V.Surendranath, the founder secretary of the Foundation and whose first death anniversary took place recently.