Adya Rangacharya

Writers and literary works have never been in isolation to the dominant forces of their times. One of Kannada’s early playwrights, Adya Rangacharya (1904-84, popularly known as Sri Ranga) was no exception to this.


Reviewed by: Deepa Ganesh
Vaidehi. Translated from the Kannada by Tejaswini Niranjana, Mrinalini Sebastian, Bageshree and Nayana Kashyap

The speaker of the above lines in the last story of this selection is someone who was forced by circumstances to murder her mother to rescue her from further indignities.


Reviewed by: H.S. Shiv Prakash
Intizar Hussain

Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.


Reviewed by: Rakhshanda Jalil
Bhagwandass Morwal

A formidable presence in contemporary Hindi literature, Bhagwandass Morwal has been hailed as the chronicler of Mewat, the land of his birth and nurture. Straddling Rajasthan, UP and Haryana, the region of Mewat, despite its unique cultural compositeness, lies on the socio-economic margins of India.


Reviewed by: Anup Beniwal
Kameshwar Choudhary

The critique of globalization and the neo-liberal economy has, interestingly enough, become a major platform in an increasingly interdependent world, where writers and thinkers from different disciplines come together to discuss their commonalities and state their divergences.


Reviewed by: Shobha Raghuram
Prabhu Ghate

Prabhu Ghate provides a fascinating account of the Indian micro-finance scenario. For the non-initiated, the word micro-finance brings several very contradictory images to mind. One is that of Mohammad Yunus sharing the 2006 Noble Peace Prize with his creation, the Grameen Bank, the micro-finance organization in Bangladesh.


Reviewed by: Probal Roy Chowdhury