Vivan Sundaram and Devika Daulet-Singh

A few years ago artist Vivan Sundaram created a stunning body of work titled Retake of Amrita using fifty-six exquisite images of the family taken by his grandfather Umrao Singh Sher-Gil (1870–1954).


Reviewed by: Sabeena Gadihoke
Partha Mitter

The associations which some years back invariably linked the idea of modernism to Baudelaire’s flâneur or Picasso’s demoiselles have today begun to fade, confronted as they are by critical interventions from across the globe challenging the certitudes of universalizing narratives.


Reviewed by: Monica Juneja
Radhika Coomaraswamy and Nimanthi Perera-Rajasingham

This important anthology brings together seven case studies and one essay that analyse the current thinking about gender-based violence, a subject that has got very little academic attention so far.


Reviewed by: Swarna Rajagopalan
Paula Banerjee

Women by their presence and agency have multiple roles in the various armed conflicts of South Asia. Their roles as combatants and peace makers awaken curiosity amongst onlookers and interest amongst researchers.


Reviewed by: Anuradha Chenoy
P. Stobdan and D. Suba Chandran

Despite the strategic importance of the region comprising Muzaffarabad, Gilgit and Baltistan for all the four countries around its periphery, India, China, Pakistan and Afghanistan, it is a fact that none of them have ever taken a great deal of interest in it.


Reviewed by: I.P. Khosla
Brynjar Lia

Terrorism is one issue on which the international community has come to be united not least because it has become so widespread as a means of giving vent to a grievance—real or imaginary—that no country can claim total immunity. Despite the continuing deadlock at the UN over how terrorism should be defined with an argument being made that one man’s terrorist might well be another man’s freedom fighter, there is universal acceptance that it needs to be combated.


Reviewed by: T.C.A. Rangachari