Books on actresses working in the public theatres in India are a rarity and in that sense Sarvani Gooptu’s The Actress in the Public Theatres of Calcutta is a bit of a novelty. It begins with a premise of tracing the journey of women and their engagement with early theatrical practices in Calcutta.
The Theatre of Veenapani Chawla: Theory Practice Performance is a timely book in more ways than one. It is tragically timely in that it appeared just a few months before Veenapani’s sudden death shocked us all in late 2014. Veenapani Chawla’s practice has, it seems to me, remained almost neglected.
Madhuparna Roychowdhury’s work is a significant addition to the historiography on museums and art history in India. In recent years, one of the major as well as the deeply thought-provoking interventions in this field has been Tapati GuhaThakurta’s Monuments, Objects, Histories. Guha-Thakurta has convincingly argued how the history of museums…
The author accepts as a logical base Hindu India and Muslim Pakistan to read the genesis of modern art in the Indian subcontinent, in the book under review.
An anthology is like an Indian thali—it serves small portions of different things, a couple of staples, and by providing a representative sample it facilitates further explorations. Like a thali too, it has something that appeals to everyone, but it is equally true that inclusion and exclusions usually fail to satisfy everyone who partakes of it.
Wildlife, forests and natural resources in India have never before been under such a concerted threat of obliteration, as they are now, under a regime that is as keen on overexploiting them as they are cavalier towards the intrinsic value of the environment to human survival.