We know a lot about the British who explored and mapped India in the nineteenth century, with a scientific rigour that Indians have never possessed. As a matter of fact, till the Mughal time geography was not even taught in schools and we were too scared of losing.
As our Republic turns 70, there is a distinct anti-intellectual wind blowing in the air, by which I mean not merely a certain wariness often bordering on suspicion of ideas but outright disrespect for ideas that are not popular. Ideas that question or point to flaws.
All the Wrong Turns: Perspectives on the Indian Economy by TCA Ranganathan and TCA Srinivasa Raghavan, two highly regarded and respected professionals, one a lifelong banker and the other an economic journalist, is a welcome addition to the growing commentary on.
The current manouevres by the Indian government to define civic status in terms of religious identity have deep roots in the legal regimes introduced under British colonial rule. If implementation of the new Citizenship (Amendment) Act will require applicants.
Muslim Devotional Art in India explores the rather wide arc of the growth, spread, and ever so dynamic forms of Islamic religious art in India by bringing together a wide range of sources and methodologies in six sections. While Islamic art in India has traditionally drawn upon Central Asian imagery.
MJ Akbar needs no introduction. A famous journalist and politician (BJP), he is also a prolific writer. His latest offering, its unwieldy and somewhat misleading title notwithstanding, is about the last phase of India’s freedom struggle. The struggle for freedom was never between Hinduism and Islam.