By Pushpesh Pant

The Delhi Sultanate, ruling over large parts of the subcontinent till the early sixteenth century, became the home of immigrants from the Central Islamic lands. Pant’s treatment of Delhi’s cuisine under the Sultans is disappointingly brief as it mainly relies on information from the writings of Amir Khusrau, the famous poet and Ibn Battuta, the fourteenth century Moroccan traveller.


Reviewed by: Sandeep Kumar
Edited by Avrati Bhatnagar and Sumathi Ramaswamy

‘A Takli Procession organised by the Congress to Encourage the Art of Hand Spinning’. Such descriptions make the photographs speak to us and give an insider’s view into the mood of the nation. Manufacturing salt as a form of protest is so well documented that one finds these series of pictures a learning manual in salt making! Predominantly women but also men are shown congregated at the Chowpatty beach as well as other sea fronts of Bombay collecting brine. Many photos have pots of salt water boiling in the foreground with the crowd looking on and even tasting the product. Two lovely photos that are posed for the camera on the street are described as those of ‘Gujrati Women


Reviewed by: Sohail Akbar
By Ananya Vajpeyi

We carry awhile the burden of our Karma like stones; we rise from ashes like jewelled birds; we fly away into the blue, on extended wings’ (p. 5) The extended passage exemplifies Vajpeyi’s mode of writing, in which metaphor and abstraction are mobilized to render ethical crises and human emotional geographies legible.


Reviewed by: Sabah Hussain
Edited by Alka Behari

Islamic societies to reiterate that education has always been reduced to social hierarchies, norms and structures. Her revisiting and reconstruction of the apprentice teacher model, and the emergence of normal schools map not only the genesis of the programmes but also the shift in epistemological assumptions such as what counts as knowledge, who is authorized to teach, what capacities a teacher must embody,


Reviewed by: Kalyani Akalamkam
By Uma Das Gupta

His approach to nationalism was differently textured, particularly in his two novels, Gora (1910) and Ghare Baire (1916). There, nationalism was neither entirely rejected nor hailed, but it cemented a bond among those fighting for India’s emancipation from the British yoke.


Reviewed by: Bidyut Chakrabarty