In a chapter not quite characteristic of her general scholarly procedure as a historian, Gail Minault in the middle of this book cuts loose to attempt a sustained comparison between what she calls ‘the Delhi Renaissance’ and the far more lauded ‘Bengal Renaissance’—which should perhaps be similarly…
Fat, oblong, register-shaped, its densely packed (and extremely unwieldy) 347 page body encased in striking turquoise and gold,Mazaar, Bazaar: Design and Visual Culture in Pakistan, landed on my desk a couple of weeks ago; carrying with it the images, iconography and essence of a country and civilization…
This catalogue centres on the idea and image of the Jina or Tirthankara and was published to complement an exhibition recently held at the Rubin Museum of Art in New York. The art objects include serene, solid, and stark images of Jinas that are a perfect foil for the rich palette of painted Jain cosmographs…
This is a succinct monograph on the morphology of the architectural motif of the torana, or the festooned or simply arched portal, that is a fundamental constituent, endlessly repeated in the history of Indian architecture. Lavishly illustrated and printed on heavy art-paper renders it a fairly weighty tome, no doubt one that scholars…
The work of an art restorer is a painstaking affair. Often confronted with a painting covered with soot and grime accumulated over time, bringing a painting to life once again can take months, even years. It involves extensive research into the artist’s social circumstances, reconstruction of working methodology…
Feminine forms have always been represented with great diversity in the Indian subcontinent and the variety of data available can overwhelm most scholars. Every local village has its own kuladevis or devatas and shrines devoted to deities. Every family has its own rites and rituals which have been handed down over several generations…