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Life in an ‘edgy’ city is more a cause for dread than for wonder in our part of the world. The violent underside of ‘developing’ neo-colonial/globalizing urban spaces has had its share of steady gazes, for instance, Mumbai, Maximum City or even Calcutta: City of Joy. So, the immersive experience of Karachi that Samina Shackle offers us echoes and resonates with the subcontinental reader in a way that goes beyond exoticization of a culturally and economically distant land.

Tales of Hazaribagh is much more than the exploratory travelogue its title promises: along with a rich, complex narrative of Vatsa’s discoveries of the Chhotanagpur Plateau, it has autobiography, stories of suspense and the supernatural in the best tradition of ghost stories, social critique, historiography, and an intimate introduction to his roads, his waterfalls, his friends and family.

The ‘skein of duality’ that runs through Pronoti Datta’s debut novel gives it its special character, and as one toggles between the past and the present, between people and places, and between culture, politics and history, all of which make up the warp and weft of the story, the reader is drawn irresistibly into its multihued narrative.