Milo Cleveland Beach

This book is the revised and expanded edition of the 1981 edition of The Imperial Image by Milo Beach which focused on Freer Gallery collections produced for the Mughal Emperors ruling between 1560 and 1640.


Reviewed by: Meena Bhargava
Masooda Bano

Commenting on the congruent genealogies of Oxford and the madrasas of South Asia (‘religious’ origins of both sets of institutions) and the eventual divergence (Oxford emerging as the fountainhead of ‘reason’ and madrasas positioning themselves as bastions of ‘orthodoxy’) between them, Masooda Bano argues that the main reason for the different development of these institutions was that they were operating in very different political environments.


Reviewed by: Arshad Alam
Mohd. Sanjeer Alam

The empirical work for Religion, Community and Education was conducted in two locations of rural Bihar namely Phulwari and Kasba blocks of Patna and Purnea districts, and highlights the historical trajectories and how it has shaped the educational development and disparities in educational attainment of the two communities.


Reviewed by: Sabiha Hussain
Martha Bush Ashton and Bruce Christie

It was in the thirties that Dr. V. Raghavan had drawn attention to a form of theatre called Yaksagana. Much interest was aroused by his articles. In the early forties there was a lively dis­cussion amongst scholars about the origin of this fascinating form and its connec­tions with Kathakali.


Reviewed by: Kapila Vatsyayan