By Vidyadhar K. Phatak

From chapter 16, the reviewer has compiled an arbitrary list of Mumbai’s planning agencies, plans (some with World Bank support), and acts: the Municipal Corporation of Greater Mumbai (MCGM); Bombay Building Repairs and Reconstruction Board (1969); Maharashtra Slum Improvement Board (1973), later renamed Maharashtra Housing and Area Development Authority (1976); the Development Plan (1964); Maharashtra Regional and Town Planning Act (1966); Bombay Metropolitan Regional Planning Board (MMRDA, 1967),


Reviewed by: Partho Datta
Edited by Ramnarayan S. Rawat, K. Satyanarayana and P. Sanal Mohan

In the second essay, Ramnarayan S Rawat demonstrates the significance of the 16th century Dalit saint-poet Ravidas, whose legacy inspired the Chamar led Sant-Mat community of north India in the 1920s to seek paths to dignity. Through the mediation of the spiritual leader Swami Achutanand


Reviewed by: Rohini Mokashi-Punekar
By Ravikant Kisana

…I have attempted, foolhardily, to document and narrativize the pathologies of the hyper-visible yet perennial blind spot that is the world of elite ‘savarnas’, who critique everyone and everything but never themselves. No matter what method I use, this venture is doomed to fail in many savarna eyes. They will inevitably find clever and creative ways to dismantle its mediocrity in ways that I cannot imagine.


Reviewed by: Arvind Kumar
By Venkat Ramaswamy and Krishnan Narayanan

Can we reach an understanding of reality through only language models and with perhaps a little plus of something else? I would have liked the authors to have given us some overview of these and other issues, rather than simply reproducing the marketing hype of AI, particularly from those who seek continuous investments in their companies, such as Sam Altman of OpenAI. Remember how


Reviewed by: Prabir Purkayastha
By Jayanta Bhuyan

Dr Bhuyan’s decision to return to Assam was fuelled by familial responsibilities but more by his desire to build a research-intensive environment in his beloved State. At Cotton College, Dr Bhuyan oversaw the construction of the first two-storeyed structure of the new Physics building.


Reviewed by: Kalpana Bora
Translated by Anisur Rahman

As a genre, ghazal poetry is performative, highly conventional and its public recitation (mushaira) is governed by an elaborate protocol that has evolved over centuries. The poet does not recite the two lines of a couplet in quick succession; he will recite the first line, often making a proposition, then there will be a meaningful pause, allowing for repetition and appreciation by the audience through wah wah and mukarrar, and then when the suspense is at its apex, deliver the second line almost like a punch that will bring the proposition to a logical end, even though that logic may, sometimes, be far-fetched.


Reviewed by: M Asaduddin