Unlike the social sciences, the study of English Literature in India seems likely to dimi¬nish gradually into a waste¬land. While we produce an increasing number of eminent sociologists, historians and economists, our literary critics—with a few notable but little noticed exceptions—are mostly a demoralized or desic¬cated lot.
I have come to the bitter con¬clusion that if Hindi writers are treated like poor relations of English ones, they have only themselves to blame. Why on earth do distinguished Hindi novelists allow their work to be hastily translated into clownish and farcical English? Is it impossible to wait till a reasonable translator comes along? A couple of years ago, Bhisham Sahni’s brilliant novel Tamas was, so to speak, done for in the translation. It is now the turn of Mannu Bhandari’s Aapka Bunty.
Mahadevi Varma occu¬pies a unique position in the world of Hindi letters today. She is almost the solve sur¬vivor of the pre-Independence, the ‘heroic’ generation, a relic from a distant, simpler past—a past remembered with increasing nostalgia as we sink deeper into the mud of the present. The grotesque efflorescence of the national movement still lay in the womb of an ironic future; it was, it appeared to be, it appears to have been, a time of innocence and dreams of possibility.
Professor Sar Desai’s Southeast Asia: Past and Present professes to be ‘a broad survey of trends and currents in the historical panorama of the region’. Southeast Asia, with its area spread over nine modern states, its diverse ethnicity as well as its several centuries’ old history, poses a formidable challenge for a historical study of this scope.
The booklet under review comprises the fifth R.C. Dutt Lectures delivered by Professor V.M. Dandekar in Calcutta at the Centre for Studies in Social Sciences. Professor Dande¬kar is well known, among other things, for his study on poverty in India and can be said to be one of the foremost proponents of the ‘poverty’ approach to an understanding of Indian social reality, as against the class approach. The booklet seeks to provide a theoretical basis for this ap¬proach.
Dr Sharma’s book holds as its major thesis that three ‘distinguished theorists and practitioners of the art of fic¬tion,’ E.M. Forster, Somerset Maugham and Joyce Cary, between the years 1927-1958, have given a direction to what he calls ‘the modern-novel theory.’ To put it in his own words, as these writers ‘are neither blindly traditional nor just too pro- or anti-modernity, they offer a rational, balanced poetics of the novel.’