Bhishma is not perfect, is a flawed character himself. When Chitrangada, son of Shantanu by Satyavati died, his brother Vichitravirya ascends the throne.
he novel begins in media res with Maggie’s meditations on the recent separation from Jon, her partner who moved out of their shared one-bedroom apartment in the city along with their pet cat.
Author and journalist Swati Sengupta from Kolkata has breathed life into every line of her meticulous research (whose sources are duly mentioned). Illustrator Sridatri Tagore has livened it up by the intelligent spacing of her illustration,
Many in India and worldwide make the language itself an object of study. Linguists study its grammar and syntax within the context of historical linguistics. Indeed, linguistics as a discipline owes its origin to the European discovery of Sanskrit in the 18th century and its family relationship to most European languages. Some study it for its beauty, its aesthetic qualities. Sanskrit poetry and plays have been read and studied in the same way that we read the works of the English poet William Shakespeare, the French novelist Victor Hugo, or the German polymath Johann Wolfgang von Goethe. Yet, for many of us who are primarily historians, Sanskrit opens the door to messages from the distant past in the form of texts and inscriptions
Ashoka has not been spared either of these, this intervention, at once scholarly and empathetic, is timely. Also, as the first volume in a series titled Indian Lives, it raises expectations, which are more than met.
Expectedly, there is much that the reader will find familiar.
A very important aspect associated with an aesthetic tradition is the making of the art pieces. A related question is thus based on the choice of materials which the sculptors used. The third section entitled ‘Interrogating Artist’s Choices’,