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In the Ao Naga tradition, no story-telling is complete without the singing of a ballad, a dirge or a hunting song. “It would not be an exaggeration to say that the poetic element forms the core of any discourse or narration in Ao folklore”, says Temsula Ao in her book The Ao –Naga Oral Tradition (Baroda, 1999). True to this tradition, in These Hills Called Home, the author has combined in herself the poet and the story-teller, the one supplementing the other.

As our ever-growing population, and the increasing number of cases of molestations and rapes, and the shocking number of HIV positive people, and our record in trafficking and child prostitution, and our venerable Khushwant Singh testify, sex is always present in the mind and motivates many of the actions of the average Indian male of any age.

The Inheritance of Loss has a minimal plot. The narrative is set at the foot of Mount Kanchenjunga in the Himalayas. It is 1986 when the story opens with a robbery by young insurgents, who force their way into a retired judge’s decrepit colonial mansion and steal his hunting rifles in the presence of the judge, his seventeen-year-old granddaughter Sai, his cook, and his purebred dog Mutt.

Some excellent writing has emerged from the Pakistani Diaspora in recent years. Bapsi Sidhwa’s Cracking India is probably the best known. Woven around the theme of Partition it was widely acclaimed through a series of literary prizes. Deepa Mehta made it into a film called Earth. Sidhwa’s latest book, An American Brat, was published in 1993. Sara Suleri is another Pakistani-American woman writer – a fine novelist and a versatile literary critic. Meatless Days (1990),

The mere mention of the name Faiz Ahmed Faiz evokes a warm adulation, as much in the highbrow scholarly critic as in the mind of the common reader, not restricted to the Urdu world. Faiz became in fact a legendry figure in his own life time, an icon to reckon with. When Sheema Majeed, in her “Editor’s Note” in the book, Culture and Identity, refers to him as a “metaphor of his age”, she directs one’s attention to the gradual unfolding of different aspects of the spirit of the times presented in Faiz’s English writings.

The title of the book itself indicates the motivation behind it, viz. a celebration of Progressive Urdu poetry. The authors, Ali Hasan Mir and Raza Mir set out to “reclaim the legacy of the progressive poets in an age when their words, insights, and politics continue to be relevant”.