Edited by Sumangala Damodaran

The next paper by Sazi Dlamini also discusses the ngoma not just as music but as organized sounds because ritual and ceremonial use of ngoma involves dance, possession by spirit, healing practices and initiation rites. The performance with the ngoma lungundi drum is central to the identity of the Venda ancestry and this memory also speaks of resilience in the face of conquest and migration


Reviewed by: Mohammad Kamran
By Anand Singh

In addition to lying on the Uttarapatha, Nalanda, says the author, is, ‘Geographically… a part of the Indo-Gangetic trough but some of its parts were connected with the Siwalik ranges in the northern part of Champaran district and partial fringes of the peninsular block in the south. Nalanda lies in the Magadha-Anga plain in the south Ganga region.’ It was also close to the ports of Champa and Pataliputra.


Reviewed by: Sudhamahi Regunathan
By Nadira Khatun

This secular and positive portrayal of Muslims in the 1950s and 1960s was largely due to the significant involvement of Muslims in the filmmaking industry during this period. While these portrayals often relied on certain stereotypes—such as the use of poetic Urdu, Lucknowi aristocracy, and elaborate costumes—the author argues that by the 1970s, the social genre introduced Muslim characters, especially women


Reviewed by: Harish S Wankhede
By Vanya Vaidehi Bhargav

The book later covers the last phase of Rai’s politics and his ultimate alignment with the Hindu Mahasabha. The work seriously engages with complete writings and required contextual readings and comes out with a coherent and fresh perspective on the life and thought of Lajpat Rai. Having said that, in her attempt to portray Lajpat Rai’s politics and work in a more coherent manner


Reviewed by: Krishna Swamy Dara
By Hilal Ahmed

This identity has various facets—historical, cultural, social, political, religious, and liberal—dealt with in separate chapters. Ahmed argues that there is a serious reconfiguration of these thematic aspects of Indian Muslim identity in the present time, the New India: arguably an ideological framework and a process that has redefined the Indian political context. This framework’s bent is on the ‘responsive government-responsive people’


Reviewed by: Mohammad Osama