Publishing generally, and Indian publishing, in particular has fascinated me ever since I worked in a publishing company as an editor in the latter half of the 1970s. The fascination rose from its unique nature: it is the only industry that is characterized by what economists call perfect competition, meaning anyone can enter the industry…
Bibhutibhushan is my favourite Bengali author and his epic narrative of life as it was lived by the banks of the Ichhamati river in the latter half of the nineteenth century, in what is now Bangladesh, one of my best loved novels. I can open it at any page and start reading only to put it down at the end. I have done so innumerable times.
Sometimes a slow-paced book is as unputdownable as a fast-paced thriller—Ondaatje’s Warlight is one such magical novel. It draws you into the narrative, makes you identify with the situation, nudges you (if you need the nudging) to discover the other selves and lives of characters along with the narrator/central character…
In sociological terms, India can never get rid of its class and caste configurations. This anthology of select articles evolved from the literary debates that raged in the pages of the Forward Press magazine that began its journey in 2012 , and argued for clubbing all marginalized literature under the broader rubric of ‘Bahujan Literature’.
A well thought out compilation of essays in this edited book paves the way for reasoning with politics, thoughts and theories that engross the scholars of politics invariably. It persuades us to think beyond the simplistic register of lamentation or celebration.
Indian democracy is in a state of transition. One approach to examining this ‘democratic transformation’, as the book under review calls it, is by studying the shifts within the legislature, since it is the legislature that mirrors the changes in the larger polity.