This is a welcome addition to the critical apparatus available on sub- continental English writers. South Asian writing is as usual an in- vention of the western academy, a convenient label that sub-continental critics can use to talk about issues that concern the nations of the region. However,
When the (resident) Sri Lankan writer Nihal De Silva passed away, it was sad that few in India had heard of him let alone read the Gratiaen award winning book The Road from Elephant Pass. The few copies that did make their way outside the island nation were eagerly consumed, as supply was meagre.
The foundation of empire is art and science. Remove them or degrade them, and the empire is no more. Empire follows art and not vice versa… (William Blake) In the great books of India, an empire spoke to us… (Emerson)
The Word is Sacred is a catalogue for an exhibition on Indian manuscripts that was part of the Frankfurt Book Fair last year, where India was the guest of honour. The exhibition itself was organized through collaboration amongst a number of institutions and individuals, under the aegis of the National Mission for Manuscripts. Professor B.N. Goswamy,
Charles Allen is not a stranger to India. His ancestors have been associated with India for generations. Charles came into prominence as the author of The Plain Tales of the Raj and he followed it up with several very readable accounts of little-known events in British Indian history
The concept of nuclear deterrence has proved to be a baffling enigma. Very often perceived in many different ways and despite all theoretical challenges and analytical condemnation—it survives. As the reverie of a nuclear weapons-free world