2019
Githanjali’s book of short stories, The Rock That Was Not, deals with Indian women who are striving hard to stay afloat in wedlock, while claiming their own identity. Marriage becomes a tool for patriarchy to suppress their identity.
Githanjali’s book of short stories, The Rock That Was Not, deals with Indian women who are striving hard to stay afloat in wedlock, while claiming their own identity. Marriage becomes a tool for patriarchy to suppress their identity.
In 2004 directors Zana Briski and Ross Kauffman, having photographed and filmed children of the prostitutes of Calcutta’s red-light district Sonagachi, released their documentary Born into Brothels: Calcutta’s Red Light Kids to the public. It opened.
The Fate of Butterflies by the redoubtable Nayantara Sahgal is another testimonial to the author’s versatile imagination. Interweaving the personal and the political like many of Sahgal’s earlier novels, the novel narrates a history of the present from a fast receding liberal-secular perspective.
Purushottam Agrawal’s edited book on Nehru, provocatively titled Who is Bharat Mata?—among many other admirable qualities—has the grace of opportune timing. It comes at a precarious moment of our history when the memory of Nehru is dimming, almost irrevocably one.
Over the past few years, there’s been a growing debate about the implications of China’s rise for the future of the liberal international order. Is China a revisionist power that is seeking to craft a Sino-centric world order? Is it a fragile superpower whose actions.
This is a very fat book about a very thin man, a man moreover who was very arrogant, very rude, very obstreperous and, as the title suggests, very brilliant. In the end, though the brilliance served him poorly and he is remembered—by a rapidly dwindling number.