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Aurobindo Ghose pierced the veil of Vedic mysticism during the second decade of this century. His line was followed up by masters like Nolinikanta Gupta, Kapali Shastri and others. Simultaneously, Swami Pratyagatmananda revealed the Vedic vision of Sound in Japasutram and the deep scientific basis of Veda in Ved-O-Vijnan; and Ramendrasundar Trivedi laid bare the symbolism of Vedic ritual in Yajna-katha. Kshitimohan Sen discovered the link be¬tween the Vedas and Baul—the most progressive dharma of the world.

When any institution has functioned for a considerable length of time of 30 years, it calls for an examination of its successes and failures. From that point of view, Prof. Umashankar Joshi, the former President of the Sahitya Akademi, was perfect¬ly justified when he stressed on the assessment of 25 years of its existence the need to have ‘a close, even a hard, look’ at the working of the Akademi.

To say what the book is about is like trying to capture a conflagration in a glass jar; it escapes farther afield; it displays a new dimension; it teases and is lambently in a number of places at once. It is impossible of definition. The Unbearable Lightness of Being is, at one level, about Czechoslovakia in the sixties, the period during and after the Russian occupation, Czechoslovakia as mirrored the lives of a tiny handful of intellectuals, the suffocation in their abilities, and their final dwindling into non-existence through social disuse and frustration.

An American scholar, Leslie Fleming, has accomplished what no one among our litter-ateurs could in 40 years: a bio¬graphical assessment and a critical study of Manto’s writings against the backdrop of contemporary literary trends in the Urdu-speaking world. Instead of being inspir¬ed by this effort, Anis Nagi of Lahore has plagiarized the book and published its trans¬lated version in his own name. This is our way of paying tri¬bute to a foreign lady whose lifetime’s labour it was sup¬posed to be.