A volume such as this has been needed for a long time. It is true that the peasantry did not play such a crucial and spectacular role in modern Indian history as it has done in other parts of the world, and it is not surprising that India finds no mention in a book like Eric Wolf’s Peasant Wars of the Twentieth Century.
Mother Maiden Mistress is an attempt to map women’s representation in cinema from 1950-2010. The contribution of women in the Indian film industry has received minimal attention. This is a much needed addition to the historical narrative of Indian cinema. The book is premised on the argument that no matter how the decades…
The city of Chennai was remembered until the early 2000s for its huge banners lining most of the arterial roads. Huge hand painted film hoardings battled for prominence with equally massive ads for consumer products. And then suddenly the denizens of Chennai felt that these hoardings were not really aesthetic and were also…
The adaptation of fiction into films is one of the earliest interventionist modes of analysing cinema and bringing the cinematic medium at par with the written word. Cinema needed ‘respectable’ literary moorings to step out of the shadows. James Naremore in his seminal work on film adaptation…
This book is a collection of essays in English by Satyajit Ray, dating from as early as 1949 to 1989, collated from different newspapers, journals and bulletins on cinema from India and elsewhere. Twenty-two written pieces have been arranged accordingly in three segments titled,…
Donald Preziosi in his, A Crisis in, or of, Art History? recounts an instance which will become the cornerstone to radicalize the conventional disciplines of art history. He talks about the 1982 Winter issue of Art Journal which was dedicated to the theme of ‘The Crisis in the Discipline’.