When one thinks of Deepti Naval, one immediately wants to frame her into a film sequence with Farooq Sheikh, both of whom have been remarkably great actors in Indian cinema. And so, when I eagerly picked up her autobiography, A Country Called Childhood, I was half-expecting at least a chapter or two on her life as a Bollywood actress who was at the fore of ‘parallel cinema’ which has left an indelible mark in the history of Indian films.
Rijula Das’s book A Death in Shonagacchi, despite its title, is less about death and more about life and living. You cannot find a more unlikely hero than Tilu Shau, even if you determinedly looked for one. A man of unassuming looks, which is to say he is nothing to look at, short of stature with a caved-in chest, falls in love with the dark and buxom Lalee of the red-light district of Shonagachhi. To Lalee, love dove mean nothing. Can the client pay is the only pertinent question. She sees Tilu’s infatuation and ruthlessly moves to raise her rates.
Aloka Parasher Sen’s edited volume under review comprising a collection of eight essays recognizes the need to seek ‘out the “reality” of the past rather than its “truth”’ (p. 2). Inspired by Hayden White’s essay on historical fiction and historical reality, wherein White explains that ‘The real would consist of everything that can be truthfully said about its actuality plus everything that can be truthfully said about what it could possibly be.
The book is a biographical account with a difference, of an emperor, contested currently in national discourse, in a simple story-telling style to make the narrative thrilling and delightful. Written with passion and curious interest combined with theatrical melodrama and humour, it captures the multi-faceted personality of Akbar, his different moods, temperament, sentiments, emotions, compassion and open-mindedness, yet the focus primarily remains to be on the power-driven, ambitious, warrior, conqueror, imperialist, who is never free of court animosities, politics, resentments, turmoil and turbulence enmeshed in kinship and patronage.
Historian Ramachandra Guha has spoken of what he calls the ‘Boyle’s Laws’ of biography writing; named for their author, Goethe’s biographer Nicholas Boyle, they argue for a biography to be a logical progression to its conclusion, rather than the elaboration of a premise stated in advance; the drawing upon characters other than the principal to illuminate the narrative and extensive reference to sources other than those directly attributable to that subject. Winston Churchill’s views were congruent with Boyle’s on at least the first law
Peter Robb’s Ideas Matter: Debating the Impact of British Rule on India attempts in nine chapters to present a scenario on the debates regarding the impact of British rule on Indian society, economy, culture and politics. The long-debated introduction titled ‘Changing Governance, Agriculture and Identities’, highlights various colonial themes. The author starts with an analysis of the relationship between India and Britain and argues that ‘both countries would be different today’ without British rule in India.