Again, the naming word’s evocative powers are affirmed: Mrinal Sen’s city was Calcutta of a certain taste and flavour. The third sign is the opening sentence of the first chapter: ‘My earliest memories do not prominently feature my father.’ A memoirist’s truth comes twinkling on tiny steps; the sentence lets you know, and overruns convention.
‘Strangers in the Park’ unveils the story of fifty-something Sudha, widowed for a decade, who befriends a stranger on her evening walks in the Lodhi Gardens, and much to the consternation of her large joint family—a mother-in-law, a daughter-in-law and sundry aunts of her late husband—decides to go for a holiday to Europe with this new-met friend! And no, he didn’t ask her to marry him.
Maya Nagari is a celebration of Mumbai’s vibrancy and resilience. The anthology captures the city’s unique ability to embrace and transform those who come to it. Each story is a testament to the indomitable spirit of Mumbai, a city that continues to thrive despite its challenges.
The LGBTQIA movement in Assam has taught people to think about gender and sexuality in a new way. It is through this movement that people within this spectrum have gained the courage to live fearless and dignified lives. Editor Banamallika gives people of all genders the opportunity to share all kinds of personal experiences (painful or hopeful).
Suryabala, just like her name, is described as both bright like the sun and with a childlike innocence that refuses to be controlled and corrupted by the social norms imposed on her by her family, misleading lovers, and exploitative men in power.
Further, set at the turn of the twentieth century, the novel also captures well the many questions and anxieties that haunt the middle-class consciousness of the country in the contemporary period of economic and social restructurings.