The first of the two-volume opus that explores India’s ‘multifaceted journey of the photographic apparatus’ (Karode, p. 10) edited by art critic and curator Gayatri Sinha, Points of View: Defining Moments of Photography in India is a collection of 15 articles while its companion, The Archival Gaze: A Timeline of Photography in India, 1840-2020 charts out the historical terrain of photographic practice.
In his seminal essay, ‘Ornament’, published in the Art Bulletin (1939), AK Coomaraswamy had analysed the meaning, function, and symbolism of ornament, adornment, or embellishment in Indian artistic traditions. Towards this, he interpreted evidence from a range of textual sources—the Vedas, Brahmanas, Aranyakas, epics, Pali Buddhist canon, Jatakas, and the Alamkara Shastras—developing upon J Gonda’s earlier research on the terminological and semantic implications of the term alamkara (ornament/adornment).
The enduring tradition of cricket literature regards the game as a quintessentially English—more precisely, Anglo-Saxon—institution. In this view, cricket encapsulates the values of an eternal England unsullied by the forces of modernity. This literary tradition was inaugurated in the early nineteenth century, at the very moment when industrialization was profoundly transforming the English landscape. Over time, the idea of cricket as a national sport centred in the countryside and devoid of class tensions became deeply entrenched.
The book under review is a collection of articles that presents a multi-dimensional view of the here and now of cinema in India with indications of what trajectories it might follow. The editors say in their introduction that they ‘invited researchers from a variety of disciplinary and critical perspectives to reflect on Indian cinema’s current place among other media-cultural forms, public institutions and what the forms’ possible futures might be’ (p. 3).
Trifles makes perfection, and perfection is no trifle’ goes a famous saying, often ascribed to Michelangelo. Bollywood films are far from perfect, but a ‘crazy trivia guide to Bollywood’ can be as mesmerizing as a blockbuster is to the countless addicts of Hindi commercial cinema.The pan-India appeal of films made in Bombay (should Bollywood be now renamed Mullywood in view of its changed name to Mumbai!) continues unabated despite challenges from the South.
One of the festivities that is held in great reverence is the Durga Puja. Though it is a five-day journey, Bengal, and Bengalis (across the globe) prepare for the festival throughout the year.The Making of Goddess Durga in Bengal: Art, Heritage and the Public is a collection of articles authored by various scholars is an ethnographic study, divided into four parts, of its colonial past and the artists involved.