Gyan Chaturvedi

Padma Shri Dr. Gyan Chaturvedi (b. 1952), a noted cardiologist by training and a veteran Hindi satirist, explores the ravages of a world ruled by market culture in his fifth novel Pagalkhana. The novel employs the genre of satirical fantasy and an experimental narrative structure replete with interweaving stories, unnamed character types, and fragments, constructed with an economy of words, images and themes.


Reviewed by: Kalyanee Rajan
Geetanjali Shree

As a fellow writer, the fifth novel of Geetanjali Shree leaves you wonderstruck with its sweeping imagination and the sheer power of language, unprecedented and uninhibited. She is known for her experiments with content and form, but this novel keeps you in its grip with the storyline as well, which had not really been her forte earlier.


Reviewed by: Alka Saraogi
Alka Saraogi

Alka Saraogi’s latest novel is a poignant, layered and textured twenty-first century love story which examines the nature of illusion and reality—especially in the virtual world—appearances, violence, vulnerability and torment. It is the record of an interaction between a man and a woman who meet in cyberspace and the unexpected journey of discovery that Gatha, the female protagonist embarks upon. 


Reviewed by: Anirudh Chari
Sanjoy Hazarika

A journey through the eight States of North East India, the present book is a sequel to Sanjoy Hazarika’s earlier published and much acclaimed title Strangers of the Mist: Tales of War and Peace from India’s Northeast. Hazarika states that Strangers No More is a deeply personal book through which he intends to understand and express his concern on topical issues…


Reviewed by: Amiya Kumar Das
Swapna Liddle

The much-defeated citadel of Delhi was little more than desolation. The Persian ruler Nadir Shah had bled the city. And what remained had been plundered by the rapacious hordes led by the Afghan, Ahmad Shah Durrani. Delhi could barely sustain a population much less afford the patronage of the arts. By the end of the eighteenth century Delhi was no more.


Reviewed by: Paresh Kumar
Hindol Sengupta

In The Man Who Saved India Hindol Sengupta brings together the political history of early twentieth century India, and biographical details of Sardar Vallabhbhai Jhaverbhai Patel’s life to show the integral role of political icons in the functioning of the social, economic, and political life of the newly formed nation-state of India. The display of political icons through the construction of statues, naming of roads, or of celebration of specific dates is more than ritualistic remembering.


Reviewed by: Aratrika Das