Keshav Desiraju’s Of Gifted Voice: The Life and Art of M.S. Subbulakshmi, is a connoisseur’s delight. It brings her extraordinary life to us embedded in the detailed narrative of the intricate musical world and contemporary social history of the 1900s.Desiraju’s scholarship has sharpened the understanding of the music of Subbulakshmi and her times…
There is a famous photograph by photographer Roger Fenton of a barren field, on straining one’s eye you get to notice a few canon balls strewn in the foreground. This one believes is the first war photograph famously known as ‘Valley of Shadow of Death’. The image was made in 1855 when Fenton was sent from London to cover the Crimean War…
‘To assert that “Black Lives Matter” is to admit that they do not matter while maintaining that they should.’Nathalie Etoke, born in Paris to Cameroonian parents, and who has lived in France and later in the United States, occupies a unique position which allows her to deal with questions of race as also to argue against a tendency which ends up reducing the historical, political, cultural and social differences…
Tara Kaushal set out on a journalistic journey, interviewing nine men accused of rape and gang rape to analyse the psychological temperament of the rapist. The book is the roller coaster of emotions and a mentally intertwined journey on ‘Why Men Rape’. The commonly evident documentation of patriarchy…
Courting Desire: Litigating for Love in North India is a book that attempts very successfully to capture the nuances of change and contestations in Haryana through the lens of youthful desire and love that transgresses caste/gotra/religion and courts the legal process to gain societal acceptance and legitimacy…
In contemporary Indian and Pakistani societies, the question of the role of the woman in the nationalist scenario remains a vexed one. Ann McClintock observes about the role of the woman in the developing world, ‘Excluded from direct action as national citizens, women are subsumed symbolically into the national body politic as its boundary and metaphoric limit.’