Next Door is a collection of eleven short stories by Jahnavi Barua, recently published by Penguin India. Set for the most part in the valley of the Brahmaputra in Assam, these stories deal with extraordinary events in the lives of ordinary people living there.
Uma Chakravarty’s chatty yet sound introduction is the highlight of this collection of novellas. She cautions against the nineteenth century labelling of the novel as a lighter genre that women not only read but even write.
The laconic, understated style of the book is prefigured in the titles of the stories: not only the title story, but ten of the eleven pieces that make up the volume have cryptic titles like ‘Responsibility’ ‘Eyes’ The Image’, ‘The Balance’ and so on.
Krishnan Srinivasan has worked at high levels in the Foreign Service and the Commonwealth Secretariat. He has spent several years in Africa where he seems to have acquired an insider’s perspective into the shuffle and elbowing that go by the name of diplomacy in most countries. This is Srinivasan’s second book, which he describes as his prequel to The Eccentric Effect, published in 2001.
Henry Louis Vivian Derozio (1809–31), a Eurasian of Portuguese Indian ancestry, has been described as the first Indian poet to unleash the Age of ‘Modernity’. Derozio has been traditionally portrayed as a harbinger of ‘Indian Renaissance’ by many a critic.
In a literary landscape dominated by prose and the prosaic, poetry has become an imaginative-aesthetic rarity; a kind of aesthetic insertion that is at a discount amidst the prosaic sensibility of the present.