News

Some bulls, they say, carry their own china shops. I don’t know why, but I think of such an animal when I see that sardarji inside the bulb. But then, I am told, there are people who see sausages and think of Picasso.

An anthology of modern Polish poetry in English trans¬lation should appropriately be reviewed by one who knows both Polish and English. I do not know Polish, and this excludes from the scope of this review one of the important tasks of reviewing a literary work in translation. The ap¬preciation of how far the translator has succeeded in conveying the mood, music and meaning of the original to the translated version is thus inevitably absent.

Pericles, Cymbeline, The Winter’s Tale, and The Tem¬pest have more features in common than any other group of Shakespeare’s plays. They were written in succession to¬wards the end of his life, and there is a persistent belief that The Tempest was intended to be the author’s farewell to the theatre (although he spoilt this neat symmetry between-art and life by going on to write Henry VIII).

Since Lionel Trilling raised the issue of Robert Frost’s ‘terrifying universe,’ the question of the poet’s poetic style as a means of articulat¬ing his complex vision has received profounder critical attention. T.R.S. Sharma’s critical work is an attempt to study the stylistic features of Frost’s poetry such as metony¬my, metaphor and synecdoche, and to explore their relation with syntax and other linguis¬tic correlatives.