I f you look at the number of books that are publishing the narratives of women, that’s a story in itself. Suddenly, the voiceless gender is speaking out—boldly, aggressively, honestly. What’s more, the second sex is getting heard—if the plethora of women centric books hitting the stores is any yardstick.Aparna Jain’s Own It tells the stories of women at the workplace and the persisting glass ceiling, while Walking Towards Ourselves is a collection of intensely personal accounts of women who have constantly faced challenges on account of their gender, colour or community. One is a business book, focusing on the issues confronting career women in organizations, while the other has a more sweeping canvas capturing a rich tapestry of real life experiences of women living in India.
This edited volume by N. Sarojini and Vrinda Marwah brings out a comprehensive understanding of the political economy of Assisted Reproductive Technology (ART). The debate on ART shows a very complex picture; on the one side, marketed as pro-women technology— often projecting it as helping women to fulfill their desire to be mothers—it also invokes questions of violence and control on women’s bodies, on the other. Any discussions on ART would navigate through this complex and paradoxical set of realities where women’s bodies are the sites for various negotiations with market, medical technologies, and ideologies.
Acompilation of ten essays originally presented on the occasion of the S.C. Mishra memorial at the Indian History Congress, History, Ideas and Society covers a wide variety of themes, ranging from historical ideas and ideologies to colonialism, communalism, sex-education, science and coins, the book portrays the dynamics of Indian history at its best. By bringing together writings on various periods of time and place, it not only adds to the richness but also contributes to unravelling the pathbreaking moments of Indian historical research.
In the ‘Introduction’ to The Invention of Tradition [1983], co-edited by Eric Hobsbwam and Terence Ranger. Hobsbawm remarked, ‘“Traditions” which appear or claim to be old are often recent in origin and sometimes invented…. “Invented tradition” is taken to mean a set of practices….which seek to inculcate certain values and norms of behaviour by repetition, which automatically implies continuity with the past.’ Approaching the Divine by Bharati Jagannathan illustrates the case of such an invented tradition of the Srivaisnava community of South India (located in modern Tamil Nadu, southern Andhra Pradesh and Karnataka).
It is well known that the first Indian initiative at writing a history of Indian Archaeology was taken by Sourindranath Roy when he wrote ‘Indian Archaeology from Jones to Marshall (1784–1947)’ way back in 1953 which was largely a narrative of events relating to official archaeologists. On its publication and thereafter Roy’s narrative acquired a seminal status. However, beyond the official scheme of things there were initiatives of many individuals and institutions that played a significant role in understanding the past.
Amaravati began to be developed as the capital of Andhra Pradesh last year, and the State’s creation of its new identity has involved an emphasis on its Buddhist past, at least partly to attract foreign investment. The Government of Andhra Pradesh also plans to set up a museum in Amaravati in memory of B.R. Ambedkar, who converted to Buddhism, but also interpreted its Pali canon afresh.
Editorial
