George Michell is a Professorial Fellow at the School of Architecture in Melbourne. He has dedicated the major part of his academic career to look at architecture in the medieval Indian context and more specifically at temple architecture.
The essays in this volume try to get behind the apparent continuity of normative discourse on the household in India from the ancient to the early modern. They try to locate moments of disruption, transformation or critique, in texts that are often read as simple reiterations of the Manusmriti through the ages.
People perform various auspicious ceremonies on the occasions of illness, the weddings of sons and daughters, the births of children and the setting out on journeys. On these and similar occasions, people perform many auspicious ceremonies. And on such occasions, the womenfolk in particular perform many and diverse ceremonies which are trivial…
The Mauryan Emperor Ashoka has attracted the attention of scholars and laypersons with access to formal education for nearly two centuries since his ‘rediscovery’ in the 1830s. Nayanjot Lahiri’s work is the latest in a long, rich and diverse series of biographies of the ruler. It is significant as being the first major reassessment of Ashoka by a historian of ancient India…
My first reaction after finishing Manohar Shetty’s Morning Light was the fear of his name being lost like a beautiful tender leaf crushed beneath a pile of dried flowers that blossom only in winters. The second was the sadness of this already happening retrospectively, and the third was of being a responsible reader.
Not quite belonging to the domain of international English poetry, nor integrated with the literary traditions of other Indian languages, Indian poetry in English has often been projected as a homeless genre. The poetry of H.K. Kaul demonstrates, to the contrary, that Indian English poetry possesses the power to express a sense of cultural rootedness in a language that connects it with the rest of the world.