Anybody reading the blurb of the book will be forgiven for feeling a sense of déjà vu—another novel about the atrocities and indignities meted out to the widows of Vrindavan! Yes, the book does contain some harrowing accounts, but read it and you’ll realize what a tale with a twist it is. It is a very short novel, only about a hundred pages long, but it racks the reader with its very unusual point of view.
There is a kind of anger that is necessary in the world as it is right now. It is an anger that sticks to the truth like tar to your shoe on a hot day. It is the anger that powers the best storytellers, who not only stick to the truth but sing while they do it. This is a popular stand currently, because it is powerful. We live in a time where it is possible, as chaos shifts under our feet, to break the rules we have been fed and speak out, even if only for an instant.
Daughters of Jorasanko, the recent novel from Aruna Chakravarti, reasserts her position as a perceptive and sensitive writer. Though written as a sequel, it does not lean on Jorasanko, but asserts its independence in its totally different tone, mood and pace. The female characters in Daughters of Jorasanko vividly reflect a change from the previous generation of women in Jorasanko…
It would not be an exaggeration to state that since his sesquicentennial birth anniversary celebrations began in 2011, Rabindranath Tagore has been the focus of attention of plenty of scholars all around the world. As a global figure, Tagore transcends the boundaries of language and reaches out to people distant both in time and space. So it is no wonder that seminars leading to anthologies based on his oeuvre have flooded the market over the past few years.
While much has been said about Rabindranath Tagore’s ethical concerns and his dynamic approach to aesthetics as separate strands in his work, the present study attempts to take a holistic view of these elements through a focus on the last decade of Tagore’s life. Shirshendu Chakrabarti examines the ‘slackening of the ego’ found in Tagore’s late poetry, adopting an approach that foregrounds the relationship between aesthetic form and abstract idea.
Lata Singh’s Raising the Curtain: Recasting Women Performers in India reveals how women in theatre and performance in the country have moved, changed and evolved over a period of time. Her absorbing book turns the spotlight on the little known history of theatrical performance, restoring women performers to their rightful place by documenting their lives and highlighting their overall contribution to this genre.