Maybe being an aggressive lesbian feminist was the easiest way for a young woman from India to find fame in those happening decades of 60’s and 70’s in the West (where Suniti Namjoshi has lived most of her adult life.) It is a pity though that she found fame thus, for her real talent lies elsewhere. It is in the magic that she weaves with words. It lights up everything she writes—poetry, prose, parables, fables, fantasies…
‘You cannot go back and make a new start, but you can start now and make a new ending.’– The Almond Tree. Michelle Cohen Corasanti places one family at the centre of the conflict between the Israelis and the Palestinians to depict how it feels to be a Palestinian and have one’s land taken away and belongings destroyed under a strict military rule.
Anita Nair locates Idris: Keeper of the Light in the seventeenth century and draws our attention to a period of time chronicled by the better known Gregorian calendar between 1625 AD to 1661 AD.
This is a deeply pleasurable, immersive and impressive collection. It is a compilation about actors, their thoughts, ideas, craft and it captures the milieus in which they have lived and worked. The Act Of Becoming edited by Amal Allana is a collaborative publication by Niyogi Books and The National School of Drama. It provides us with accounts of 22 theatre actors from the 1880s to the present.
Lakshmi Devnath serves up a breathless narration on the life of the legendary violin maestro Lalgudi G. Jayaraman. It is like a Carnatic music Kutcheri alternating between Kalpita and Manodharma. As Devnath explains in the book, Carnatic music consists of two main modes. Kalpita and Mano-dharma.
The book under review is an absolute vi- sual delight. And adding weight to the beauty of the hardbound book is the tremendous value each page holds as a source of information and knowledge about Sattriya dance. The book boasts of contributions by eminent experts in the field including the likes of Maheswar Neog, multifaceted scholar of Assamese arts, culture and literature…