Harappa and its sequel Pralay are the renowned entrepreneur Vineet Bajpai’s first works of fiction. The novels explore a new take on the unexplained and mysterious end of the Harappan civilization and draw from Hindu mythology and history at several instances.
In an idealistic world, there might come a day when geographical borders are reduced to lines on a map. But would the borders we learn to draw around ourselves ever be erased? Would identities be separated from occupation and ethnicity to disable differences in privilege?
‘For Karma is a mathematical law, What’s next depends on what’s done before’—is the premise of Krishna’s advice to Arjuna in the Bhagavad Gita. The ethical conundrums of right-wrong or good-evil fall under a larger spiritual understanding and acceptance of one’s duty.
‘Our greatest weapon is here. The mind. The flesh is weak; . . . But with the power of the mind, one can subjugate other people . . . Empires are built not only with brute force, though that is essential but with brute will.’ These are the poignant words uttered by Mahaamatya Kartikeya to the seven-year old Vishnu Gupta.
This is part of the Golden Set published by the Children’s Book Trust. A collection of four tales, it highlights four different chapters not often spoken about in detail in history books. Of three queens and a brave lad, separated by centuries, these tales are told in a way that children can learn history through stories.
Dystopian fiction begins quite simply with restrictions. A character is not allowed to do something because that would mean defying society, family and the law. Even though Arushi Raina’s When Morning Comes is based on the reality of life in apartheid-era South Africa, it has all the trappings of a good young adult dystopian novel.