By Devibharathi. Translated from the original Tamil by N. Kalyan Raman

Incidentally, the novel is one long narration, with no chapter divisions. It is also significant that there are very few dialogues. We see and hear everything through the stream of the narrator’s own consciousness, though he repeatedly complains that his story is controlled by others.


Reviewed by: T. Sriraman
By Mrinal Kalita. Translated from the original Assamese by Partha Pratim Goswami

Under the Bakul Tree is a heartwarming coming-of-age tale. It celebrates friendship, hope and determination as it unravels the devastating effects of poverty and of an education system that has failed the students who are at the lowest rung of the social order.


Reviewed by: Somdatta Mandal
Written by Satoshi Yagisawa. Translated from the Japanese by Eric Ozawa

he Saveur coffee shop becomes another milestone in this bildungsroman novella, as Takako makes new friends and literally wakes up to smell the coffee and is soon ready to face the world again. Her days at the Morisaki Bookshop become what Satoru had hoped


Reviewed by: Books-in-Brief – Books-in-Brief – Books-in-Brief
By Hans Sande. Translated from the original Norwegian by Marietta Taralrud Maddrell. Series Editor: Teji Grover. Illustrations by Per Dylovig

The email communication begins with the calf escaping from the farm and declaring:‘Sinister things are happening here on the farm, but nobody talks about them. I dare not stay here any longer. Dare not wait and see what is going to happen to me. I don’t want to disappear suddenly. Love from me


Reviewed by: Anita Singh
By Mallika Ravikumar

Does the M4 remind us of the Five Found-Outers and others of the kind inspired by Enid Blyton? The additional nuance here is that of the social angle. As mentioned, Shimplya is a fisherman’s son. Mirchi is the local scrap-collecting boy, and it is he who leads to the exposure of the kingpin of the wildlife mafia in Maulsari and the release of 1280 endangered turtles (minus the 110 which had suffocated in captivity)(p. 224).


Reviewed by: Dipavali Debroy