This is an anthology of interviews conducted with eleven performing women artists and forms the second part of a series that C.S.Lakshmi has edited with an introduction. While the first dealt with women musicians and their engagement with the art form…
This book is yet another addition to the growing body of literature on the family and gender. An outcome of a seminar organized by the Konrad Adenauer Foundation it comprises thirteen excellent essays written by scholars from different academic disciplines and political views from Germany and India.
Feminism in Search of an Identity is the outcome of a University of Pune research project in the newly emerging discipline of feminist studies in India. In the book’s foreword, Professor Sharad Deshpande of the university’s Department of Philosophy…
The Self-Respect Movement initiated by Periyar E.V.Ramasamy in 1926 constituted, no doubt, the most radical phase of the Dravidian Movement. The vast literature on the history of the movement clearly locates its radicalism in its conscious effort to give primacy to issues of gender and particularly so in the women’s voices critiquing the brahminic patriarchy.
In this study of violin playing techniques in western classical and south Indian classical music Dr.Lalitha elaborates her understanding of contrasting techniques used in playing the violin in two distinct musical traditions. The violin was a late and foreign entrant in Indian classical music.
James Kippen’s book on the tradition of tabla in Lucknow first came out in 1988, as part of the series of books entitled Cambridge Studies in Ethnomusicology. Re-reading the work at this distance dimly recreates the excitement of our introduction to ethnomusicology: for many of us, it was a new kind of writing on music, that generated both admiration and resistance strongly.