Pakistani scholar, Tayyab Mahmud, speaking of the “spectre of the migrant” that haunts the modern world, says that immigration in public debate and political rhetoric is presented as a “problem to be solved, a flaw to be corrected, a war to be fought, and a flow to be stopped.” The immigrant, he says, hovers at the edges of her adopted society:
Migrant Women and Work includes a collection of papers that were presented at an international conference on Women and Migration in Delhi in 2003. This work challenges the popular misconception that migration is a male activity. This volume adds to a growing body of literature that demonstrates the contribution that a gendered analysis can make to understanding the complex phenomenon of migration and the feminization of labour migration in particular.
This volume comprises eleven contributions by scholars from Bangladesh, Canada, India, Nepal, Netherlands, Sri Lanka, U.K. and USA on diverse aspects of gender studies, the focus being on women who have adopted migration as a survival strategy. The message of this book is clear : poor women migrants are assets not only to their families but to their home country.
In his Foreword Professor Amartya Sen has rightly celebrated Devaki Jain’s refusal to take up the theme of her book in a minimalist framework of a tedious chronological regurgitation of what Charles Dickens would call ‘facts, facts and facts’. Instead, we have been offered a rich narrative of development, a history of women’s movement worldwide, its dreams, challenges and fissures, bringing alive a distant policy-making body like the United Nations, jiving with development refracted through the world’s women.
The book examines critically Sen’s contribution to some fundamental issues of human welfare from a gender perspective. Sen, has displayed feminist sensibilities, rare among economists. His ideas on notions such as justice, freedom, social choice, agency, ‘functionings’, and capability as a set of philosophical categories have not only enriched our understanding but has given us a whole new vocabulary and evaluative tools for judging human development, values that should underpin our goals.
The recent publication of Aziz Kurtha’s Francis Newton Souza: Bridging Western and Indian Modern Art is perhaps unsurprising in a context where prices of modern Indian art generally are constantly reaching ever more spectacular levels both nationally and elsewhere. Certainly, one of the key objectives of the book is to offer an art market perspective to the art collector, the many asides with reference to ownership, signature and prices are a clue to these concerns.