Arundhati Roy has a long history of evoking extreme reactions from those who have read her, and even more extreme reactions from those who haven’t. People either hate Roy or love her. While this isn’t necessarily a bad thing for a writer, it makes almost impossible any pretensions to objectivity on the part of the reviewer.
2004
My Little Boat is a promising first novel that offers a delightful read. Set in contemporary India, it is primarily concerned with its female protagonist’s search for selfhood and subjectivity.
The Transplanted Man of the title is the Union Health Minister of India who has so many transplanted organs in his body he can proudly say he truly represents India. Once he was very corrupt but having often been close to death he has begun to actually feel the pain of the mother of a dying child and is determined to do some good for his country before he dies, except that he is not sure he will survive his latest illness.
Sir Olaf Caroe, the former British civil servant in India, was not much off-centre when (in the mid-1940s) he pro¬pounded the doctrine of ‘Wells of Power’. He emphasized West Asian oil which was absolutely essential for the Western powers and hence should be shielded from the Communist Bear, This, coupl¬ed with the fact that the Indian Ocean does not, like its bigger counterparts, the Pacific and the Atlantic Oceans, extend northwards into the cold cli¬matic regions, saddles it with paramount strategic signi¬ficance.
When I was asked if I would review some Russian books on Psychology and Child Deve-lopment, I agreed immediately since I had not read much literature emanating from Eastern Europe in recent years. Familiarity with the English language predisposes one to keep largely to books coming out of the USA and England, and to translations of French and German writings.
Chaitanya’s new volume, edged in a glossy royal blue, is the fourth in a series of five which venture to span Indian painting—beginning from pre-historic rock paintings to the ‘modern temper’ of the Tagores, of Shergil and Jamini Roy. The author’s credentials need no elaboration and his erudition rides high despite the modesty of the blurb on the dust jacket—perhaps to popularize the sale of a scholar’s work:
