The principal plot of Goodbye to All That: A Delhi Story is not complicated. The young hero, a bachelor, member of the editorial staff of the Delhi branch of a large British publishing firm, has to find three bestselling authors, all of whom must be renowned economists, and get them to write books for the firm, or lose his job.
This novel is the second of a trilogy on the Kurukshetra War, we are told, and covers the thirteenth to the fifteenth nights of the war. Reading this novel one cannot but admire the courage of the author in stripping the Mahabharata of what he calls ‘the myth part of the story’ and ‘the supernatural weapons or happenings’…
Chroniclers of the diasporic Indian experience are many: celebrated names such as Salman Rushdie, Jhumpa Lahiri, Meena Alexander and Chitra Banerji Divakaruni spring immediately to mind. Despite this crowded field, the fact that Indian Australian writer Roanna Gonsalves’s debut collection of short stories…
I must confess to never having read Chudamani earlier. Coming to political maturity in an age when Tamil Brahminness was considered dangerous, there seemed to be no need to read her, someone I had thought was the quintessential Brahmin writer. This is why this small book bowled me over.
No writer has delved deeper into the innermost recesses of the human mind than Dostoevsky. The result is an array of memorable characters: Dmitri, Ivan, Alyosha and Smerdyakov in The Brothers Karamazov, Prince Myshkin in The Idiot, Rashkolnikov in Crime and Punishment and so many more.
The Saga of Satisar, a translation by Ranjana Kaul of Katha Satisar written by the well-known Hindi novelist Chandrakanta, is epic in scope and proportion. The narrative straddles three generations of several sprawling interrelated and interconnected Hindu and Muslim families of Kashmir.