Esther David

The title of the ‘novel’ The Man with Enormous Wings arouses a child-like curiosity and expectations of a story that may be built with a rather innocent imagination. But what we experience within the folds of this short novel is an epic tale that presents an anticlimax to what we may have expected. Vignette after vignette, the story of Gardabad…


Reviewed by: Sukrita Paul Kumar
Aravind Adiga

The White Tiger—robustly reviled by many in India—was also hailed by some in the western media as a novel that adumbrated a response to globalization in its representations of inequity, class, amorality, and greed.1 Last Man in Tower, focused on Vishram Society—a bastion of middle class stolidity in Mumbai…


Reviewed by: Subarno Chattarji
Farrukh Dhondy

Wit and irreverence are Farrukh Dhondy’s hallmark, and there is plenty of both in this set of rapid-fire short stories. The seventh commandment deters no one it seems. Man, woman, gigolos, e-mail wallahs and such others find endless opportunities to defy the old dictum ‘Thou shalt not commit…’and happily survive through ‘illicit’ relations…


Reviewed by: Malashri Lal
Amitav Ghosh

At the close of River of Smoke, the second novel in Amitav Ghosh’s Ibis trilogy, the ex-zamindar Neel Rattan speaks of a painting he acquired on his last visit to Canton. The painting shows Fanqui-town, the site of the Thirteen Hongs or factories set up by foreign traders on the Pearl River in Canton, in flames…


Reviewed by: Supriya Chaudhuri
Ruby Zaman

Any time partition is mentioned, the mind immediately goes to 1947 and all the carnage that is usually associated with the birth of Pakistan. What many forget is that 1947 marked just one of two partitions Pakistan had to suffer.


Reviewed by: Sharad Raghavan
Aamer Hussein

A part from the title and a semblance of the mood, Aamer Hussein’s The Cloud Messenger shares very little else with Kalidasa’s lyric poem of 111 stanzas, Meghadutam. For instance, Hussein’s narrator-hero, Mehran, is no exiled lover. Hussein’s kunstlerroman borrows the lilting romantic tenor of the poetic conceit used by Kalidasa in his sandesa kavya…


Reviewed by: Debashis Chakraborty