In his poem, ‘Brother Fire’, Louis MacNeice addresses the London ‘Blitz’ of 1940 as a brother. Although an enemy, he views fire ‘expressing even its victims’ (James Reeves). The fire in Tom Sastry’s latest collection is also an oppressor but a force that.
In 1912, the rhetoric by Ezra Pound was considered as a predecessor for what was to become the future of poetry: ‘Poetry is not a sort of embroidery, cross-stitch, crochet, for pensioners, nor yet a postprandial soporific for the bourgeoisie. We need the old feud between the artist and the smugger.
Catherine Eban is an American journalist known for her ‘Investigative firepower’. Bottle of Lies: The Inside Story of the Generic Drug Boom is her second book on the pharmaceutical industry. Eban’s first work Dangerous Doses: A True Story of Cops.
Issues related to women’s mental health have always occupied centre-stage attention. The reasons for this are not hard to find. The lived realities of women’s existence that highlight their subjugation and distress in a patriarchal order have been.
The book under review is not only a rich ethnographic account of hand paintings from the Cheriyal village in the northeastern part of Telangana, a State in southern India but also an almost complete account of the personal journey of Bose the ethnographer.
Ever since cinema emerged as a dominant source of entertainment in the last century, its influence on the public psyche remains unsurpassed. Over time and across space, it has changed forms and with technological innovations, its range and capacity have hugely expanded.