This is the fourth in the series by Women Unlimited on ‘Issues in Contemporary Indian Feminism’. Each volume so far, other than providing a range of excellent writing on key issues, has tried to explode the myth of a singular feminist position on an issue by bringing out the nuances of divergent positions within the women’s movement.
From Mathura to Manorama invites us to think critically of how feminist projects opposed to violence against women are con- structed. This exciting book shows us how feminist politics against violence has been varied in its forms, strategies and premises. This important book must be read and taught especially since the authors demand reflexivity by re-visiting
Much scholarly work, particularly from feminists, engages with different aspects and dimensions of violence, and with the aftermath of what are now episodes of history, such as the partition, the massacre of whole communities, particularly the Sikhs and Muslims, following the assassination of Indira Gandhi, the demolition of the Babri Masjid and the Godhra train carnage, to name a few.
The book’s conceptualization of gender justice as both an outcome and a process is a refreshing departure from the conventional approach where one or the other is high-lighted. After all it is the process that shapes the outcome. It is the means and ends connection. In the current overemphasis on so called empowerment of women, this critical insight is lost sight of.
This book is based on weekly commentaries on economic issues published in a Sunday newspaper for about 10 months from the last week of May 2005 to March 2006. Most of these commentaries were written under the pen-name Economist by the author of this volume.
This is the autobiography of Muhammad Yunus, winner of the 2006 Nobel Peace Prize and the creator of the Grameen Bank, the micro-finance institution that revolutionized lending to the poor. Naturally, perhaps, the book focuses on the Grameen Bank and how it came into being, ignoring, some may cavil, more personal aspects of Professor Yunus’s life.