The nineties of the last century saw a second wind of creativity in Tamil writing, particularly fiction. Largely unnoticed by the readers of the pulp magazines that sold in thousands, a new crop of writers were exploring new themes and new areas of experience in little magazines and original work published as books.
“It took me more than ten years to give shape to this work of fiction ….. The nearest form to this narration (which is somewhat new to Tamil letters) is the novel. It has a hero, a scene of action (United States), a period (1973-74)” says Ashokamitran (AM from now on) in his brief introduction to the Tamil original of this work. Ostensibly a travelogue of his some seven months stay at the University of Iowa as a writer in residence that the US government had sponsored as part of its strategy to win Third World intellectual support for itself in the Cold War days, it defies classification as a genre.
Aazhi Soozh Ulagu, the title of the novel under review, is an exquisite phrase from Kamban’s Ramyanam (circa 12th century CE), which occurs in Kaikeyi’s exhortation to Lord Ram before he is sent away into exile for fourteen years. ‘All of this ocean-ringed earth is Bharathan’s to rule,’ declares Kaikeyi, while Ram must travel into the jungle to undertake ‘intolerably arduous’ penance, live austerely and bathe in the waters off hallowed pilgrimage centres, before returning home in two times seven years.
In the recent past there is an appreciable rise in the number of books published in Tamil on national and global issues. That such books have a good market augurs well for the future of Tamil. And who are the readers for these books? The last few decades of the last century found a new class of readership, that was recently empowered by education but still, that lacked an adequate knowledge of English, the language of intellectual dialogue internationally. And yet, these new readers were thirsting for knowledge and wanted to know all that was happening around them near and far. Their expectations were not belied and books dealing with a variety of issues started appearing.
Reading this book was as pleasurable as having a cup of that delicious brewed coffee that became a cultural signifier of the Tamil way of life in the course of the 19th and 20th centuries. To those who associate scholarship with dullness, I would strongly recommend Chalapathy’s book since it is consistently both scholarly and lively.
Ghost Stories is a book which tells stories with a touch of mystery and suspense. ‘The Lady of the House’ is about a young ayah, called Malina, who comes to work in the house of Ginnima. Ginnima is an old lady, who has been trapped in her bed for 55 years, because she is overweight. When she first meets the old lady, something about Ginnima’s eyes scares Malina, because she feels like she is being trapped.This is a scary story.