Geetanjali Shree

‘But the burden of every death can be assumed symbolically by a culture and a social memory (that is even their essential function and their justification, their raison d´être). Culture and memory limit the ‘reality’ of individual death to this extent, they soften or deaden it in the realm of the symbolic.’…


Reviewed by: Nilanjana Mukherjee
Leila Aboulela

The book starts off quietly and gently, almost too quietly—the same momentum is sustained throughout—but gradually draws the reader into the world created by the author. There are fascinating glimpses into the world of Sudan in the 1950s and the tentative forays into modernity, all seen through the eyes of a wealthy and influential family that has had its share of tragedy and relationship conflict issues…


Reviewed by: Malati Mathur
Savia Viegas

Savia Viegas’s debut novel Tales from the Attic (2007) brought to life the fascinating but fast vanishing world of a Catholic community in South Goa. The novella’s protagonist Mari is in an operation theatre for hysterectomy. In the process of losing consciousness under the care of an impatient anesthetist, she reminisces about her childhood in a village in Salcete where every one ‘had the same surname and shared a blood kinship and had big empty houses…


Reviewed by: Mala Pandurang
Harsha V. Dehejia

Pahari Paintings of an Ancient Romance:The Love Story of Usha-Aniruddh, brings to our reach the entire run of the great romance Usha-Aniruddha, popular amongst the art patrons, during a certain period of history in India…


Reviewed by: Nuzhat Kazmi
Sumathi Ramaswamy

When thinking about the significance and meaning of images, one must remember that art works are produced through specific historical contexts, and then subsequently encountered in diverse settings by people with wide ranging ideological dispositions…


Reviewed by: Shukla Sawant