B.N. Goswamy

The presumed anonymity of the artist in pre-modern India remained for long a scarcely challenged premise in Indian art historiography. In the middle decades of the 20th century, this assumption of anonymity was nurtured by an overarching emphasis on the metaphysical…


Reviewed by: Parul Pandya Dhar
Patricia Tusa Fels

No book could be more concise, vehement, avid and well researched on the mosques of Cochin. No scholar has taken interest in researching this important architectural heritage, and updating the required information in this context and bringing it to public domain…


Reviewed by: Nuzhat Kazmi
Judith M. Brown

Right at the beginning of this slim volume (the text, excluding notes,is ninety-five pages) based on lectures delivered at the University of Notre Dame in 2008, Judith Brown explains her two primary objectives. The first is to communicate with a wider public that is interested…


Reviewed by: Devika Sethi
Michael Gottlob

This book by a German scholar seeks to examine political viewpoints on the writing of the history of India, in promoting different ideas of what constitutes India as a nation, both in the context of what constituted a nation state in Europe and what could become the definition of a nation in a world of globalization…


Reviewed by: Wajahat Habibullah
Sankar

The work under review is a translation of a hugely popular work, originally written in Bengali, by the well known novelist, Mani Sankar Mukherji (alias, Sankar). Achena Ajana Vivekananda, first published in 2003, is a book that I have always wanted to read but somehow could not in all these years. Ironically enough, reading the work in English translation makes this urge even stronger…


Reviewed by: Amiya P. Sen