Bindu Chawla has worked tirelessly to preserve the memories of her father the eminent teacher and vocalist Amarnath. A few years ago she brought out a stately volume Conversations With Pandit Amarnath – a series of interviews that Amarnath informally gave his daughter on vocalism and musicology.
Was there ever a diplomat that didn’t wield, A pen so deft it could normally yield A tome on topics as varied as politics or gastronomy, Or the limitations on ambassadorial autonomy? Kiran Doshi has surpassed in verse, Subjects on which one would normally be terse The question is, will it be understood Beyond the civil service brotherhood?
‘Let’s pile up paradoxes.’ These words from “Cosmogony” signal the enigma at the heart of Published in the Streets of Dhaka by Kaiser Haq, for every feature of this motley collection is offset by other elements that contradict it. Spanning forty years of the poet’s creative life,
‘There is a river. In front of it is a house that opens to a limitless horizon’ (p. 5). The novel begins with the description of this ‘limitless’ river on the banks of which is situated the ancestral house of Raghunath Kalama. Both the river and the house have interesting roles to play in the re-exploration of the Kalama family history as well as the Buddha legend.
With this rendering of Bani Basu’s novel Kharap Chhele, published in 2001, Nandini Guha earned Katha Award for translation. A novel that claims to shatter myths, ‘Dark Afternoons’ is about a shocking discovery a woman chances upon as she struggles to make her afternoons meaningful.
Recognized as the first original memoir in Hindi, Apni Khabar spans half a century of its authors engagement with the contemporary socio- polity from the vantage point of the problematic of his ‘writings.’