In the 1980s and 1990s, a series of academic studies were released that tried to explain the East Asian growth miracle in Singapore, Hong Kong, Taiwan and South Korea (Amsden, 1989, Haggard and Cheng, 1987, Haggard and Moon, 1990). The central puzzle that political economists explained through these case studies of East Asian Newly Industrialized Countries (NICs)…
Barua’s very first novel is an intricate pattern of cultures and politics, refugees and resisters and locates South Asian politics in a wider context. A political analyst and commentator, he turns to Tibet but spreads out in other directions both space wise and at ideological levels—India, China, Nepal and the US.
The wiki entry on Fatima Bhutto says, ‘she grew up effectively stateless’. In her debut novel The Shadow of the Crescent Moon, Fatima takes us to a town called Mir Ali, in North Waziristan, on the border of Pakistan and Afghanistan. The novel is about people but it is also about the place. The location so much a protagonist here.
It seems that it is difficult to write a south Asian novel, especially one written by an expatriate without asking the extraneous questions about exile and memory, politics and individual life histories, some implications of sexual and ideological preferences and the meaning of it all.
A Fort of Nine Towers is the vivid recollection of a young Afghan author, Qais Akbar Omar, from the last years of the Russians in Afghanistan to the tumultuous years of factional fighting and the eventual dark and suffocating rule of the Taliban. It ends with 9/11 and the return of dance and music to the streets of Kabul.
In My Mother’s House is certainly not yet another book on the civil war in Sri Lanka. The book stands out on three key grounds. One, despite being one of the victims of war and becoming a refugee at a young age, the author, Sharika Thiranagama, does not build a narrative of herself, but of others in the society that she had left more than two decades ago.