Bishwanath Ghosh

When I was asked to review Bishwa-nath Ghosh’s Tamarind City: Where Modern India Began, I figured my eligibility had to do with the novel I had written set in the Madras (as it was back then) of the 1970s. I hope I’m right because, if on the other hand…


Reviewed by: Krishna Shastri Devulapalli
Siro P. Padolechhia

The marketing function has been fully exploited in mulch of the developed western world. In the less developed coun­tries the role of marketing is yet to be adequately appreciated. This is a natural consequence of the fact that in less deve­loped countries the main problem is to create surpluses over…


Reviewed by: R.S. Pal
Bunny Suraiya

Bunny Suraiya’s debut novel Calcutta Exile is an impressive and bitter-sweet epilogue to the Anglo-Indian community during its heyday in what was once the ‘second city of the British Empire’. A novel centered around the Ryan family of Sharif Lane in central Cal-cutta…


Reviewed by: Sayantani Jafa
Kiran Nagarkar

The usual practice is to turn a book or a story into a movie. What if you could turn a movie inside your head into a novel? Reading through Kiran Nagarkar’s novel, The Extras, that is exactly the feeling you get. The characters, the thrill, the twists and turns…


Reviewed by: Sucharita Sengupta
Ananda Lal

In Marathi theatre Mahesh Elkunchwar spearheaded a modernism through his plays. They challenged the unequal power relationships between the genders. Opening the win-dows to let out the stagnant air of discrimination was the running leitmotif of the plays…


Reviewed by: Neelam Man Singh
Shanta Gokhale

The directors who shaped the contours of modern Indian theatre were born in the 1920s. Ibrahim Alkazi (b. 1923), Habib Tanvir (1923-2009), B.V. Karanth (1928-2002) and Utpal Dutt (1929-1993) are, arguably, our most important post-Independence directors…


Reviewed by: Sudhanva Deshpande