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While much has been said about Rabindranath Tagore’s ethical concerns and his dynamic approach to aesthetics as separate strands in his work, the present study attempts to take a holistic view of these elements through a focus on the last decade of Tagore’s life. Shirshendu Chakrabarti examines the ‘slackening of the ego’ found in Tagore’s late poetry, adopting an approach that foregrounds the relationship between aesthetic form and abstract idea.

Lata Singh’s Raising the Curtain: Recasting Women Performers in India reveals how women in theatre and performance in the country have moved, changed and evolved over a period of time. Her absorbing book turns the spotlight on the little known history of theatrical performance, restoring women performers to their rightful place by documenting their lives and highlighting their overall contribution to this genre.

In 1998, commemorating fifty years of India’s Independence (1947–97), artist Vivan Sundaram installed a year-long site-specific project at the Durbar Hall of Victoria Memorial Museum in Calcutta, calling it a Journey Towards Freedom: Modern Bengal, which was subsequently re-christened as the History Project. Almost twenty years later, under this latter name—that according to art critic Geeta Kapur…

Tilt Pause Shift:Dance Ecologies In In-dia edited by Anita E. Cherian is a remarkable book. It is remarkable for many reasons, in a context where hagio-graphies about dancers, coffee table books on dance with glamorous production values abound—here is a book that is scholarly, incisive and very aware of the politics of bodies in performance.

The Radical Impulse by Sumangala Damodaran is a valuable archive of IPTA’s musical repertoire across languages and regions of India as well as a sophisticated analysis of the political and cultural climate of the early to mid-twentieth century in which this music evolved. Formed in 1943, the Indian Progressive Theatre Association made one of the first conscious attempts to use music and performative forms as modes of political activism and protest and to develop a self-conscious ‘people’s aesthetic’ that had a momentous impact on literary cultures of the time.

Banaras, generally characterized as the longest continuously living city and as a microcosm of Hindu civilization, has long enjoyed epithets of an eternal, timeless, unchanging, and archetypal Hindu holy city. It has, perhaps, for a city of its size, attracted much more attention from scholars of repute, and many of them, in recent times, have forayed beyond the domain of the sacred, to unravelling the complexity that Banaras represents.