1836, Paris: Louis Daguerre invented the camera. Immedi¬ately, enthusiasts of the inven¬tion hailed the birth of an era of objectivity. Later, a new proverb was born: ‘the camera doesn’t lie’. In the course of organizing some 100 exhibi¬tions of diverse cultural and geographical origin (the latest being Through Indian Eyes), the International Center of Photography discovered again and again that the camera has been, in fact, a very subjective instrument of observation and documentation and that it can be made to lie.
What a piece of work is a man! How noble in reason! how infinite in faculties! in form and moving, how ex¬press and admirable! in action how like an angel! in apprehension, how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust?
This is one book which can be judged by its cover. The attractive red-on-cream design is a facsimile of a certificate of honourable discharge from the British army, a torn and folded Britannia seated before her guard of honour. The book contains five pieces of writing about Anglo-Indians. I hesitate to call these stories, for they have a poetic quality. The characters are not com¬placent pawns of plot and circumstance, but voices which will find an echo in each of us.
The threat of a global crisis, specially on the economic front, looms large over the world today. The former industrial giants are no longer in the happy position of dic-tating the ways of the world. This is primarily due to the emergence of another force on the world stage, which has begun to assert its rights—and, more important, has acquired the bargaining power to do so. This force emanates from the oil-exporting coun¬tries of the Third World Jean-Jacques Servan Schreiber’s
Dr. Rajan’s book is an educative documentation of the centrality of UN’s role despite the fetters attached to it. The expansion of the juris¬diction of the United Nations can only be a slow process established by precept and example and by practical appli-cation in specific events. The book deals with this accretional process and argues its irrever¬sibility.
Telengana is part of the mythology of the Indian Com¬munist movement, transmitted to the youth from one generation to the next through a kind of oral tradition. What-ever little literature exists about the movement can be classified into five categories: first hand accounts in the form of a mass of pamphlets, book¬lets and books of the period, almost all of which are in Telugu and remain untrans¬lated; creative literature,
