P.D. Gaitonde

The title of the book, its pre¬face, and its foreword (written by Professor V. Ramalingaswami), hold out a promise that is un¬fortunately not fulfilled in the text: At a charitable estimate, there are no more than thirty pages in this book which are concerned with what is supposed to be the primary focus of the work.


Reviewed by: Dipankar Gupta
Rashmi Jain

The ‘publish or perish’ syn¬drome which is increasingly becoming the most vexed question in the academic life of the United States seems to have invaded India also. Although it is still not very clear in this country whether the number of publications of an individual scholar necess¬arily promotes his professional prospects (the growth of ‘trade unionism’ among teachers in the university system running rather counter to this develop¬ment), the fact that he appears to believe so gives credence to this formulation.


Reviewed by: Partha S. Ghosh
Michael Carrithers

This is a study of the hermi¬tage movement in Sinhalese Buddhism. The movement goes back to a hundred years, in the course of which different at-tempts have been made to revive the tradition of forest monks dedicated to the solitary life, to putting Buddhist pre¬cepts into practice, and to re¬forming the sangha attached to Buddhist temples.


Reviewed by: Veena Das
Ranajit Guha

Literature on peasantry and peasant revolts in India has grown steadily over the past fifteen years or so. Although quantitatively this development has been impres¬sive, this body of literature has only a few works which could be pointed out as noteworthy contributions in terms of quality as well as originality of new analytical insights. Since 1981 Guha has started editing a series of Subaltern Studies, of which two volumes are already out.


Reviewed by: D.N. Dhanagare
Elizabeth Wilson

‘Rape and domestic violence are forms of punishment’, says the author,
for women who have step¬ped out of line, and attempts to re-impose patriarchal dis¬cipline in a society which is no longer patriarchal.


Reviewed by: Malavika Karlekar
Erwin Neumayer

Prehistoric rock painting is one of the more recent arrivals on the Indian archaeo¬logical scene. The present work attempts to synthesize the available information and present a composite picture. The author has visited most of the sites and also had the advantage, as he mentions, of intensive discussions with scholars like Mathapal, Misra and Wakankar who have been active in this particular field for quite some time now.


Reviewed by: M.S. Mate