Neera Chandhoke

From India’s most clear-headed political theorist Neera Chandhoke (a former Professor of Political Science at Delhi University), comes a new page turner—an extraordinarily accessible and yet tightly argued monograph on the nature and value of contemporary India’s plural democracy. Anyone familiar with Chandhoke’s earlier works such as Democracy and Revolutionary Politics (Bloomsbury, 2015)


Reviewed by: Aakash Singh Rathore
Francis Fukuyama

Francis Fukuyama needs no intro- -duction. He shot into prominence with the publication of his widely read book, The End of History and the Last Man in 1992. In brief, Fukuyama had put forth the thesis that with the collapse of Communism ideological wars have come to an end and the future belonged to liberal democracy, which—in a Hegelian sense—was the culmination of all human associations, and indeed, its very pinnacle. Fukuyama’s contention was problematic and in a short period it became widely apparent that liberal democracy faced severe challenges from within.


Reviewed by: Syed Areesh Ahmad
Enid Blyton

‘Storytelling is a simple make-believe but she has a knack for making her tales absolutely irresistible to young readers—her specific descriptions of food were the same. The specifics she mentioned are not elaborate—but opposite in fact—but the sheer pleasure she takes and everything from sardine sandwiches to cherry cake sings out of the pages,’ says Allegra.


Reviewed by: Dharma Chari-Letts
Raminder Kaur

Raminder Kaur and Saif Eqbal take on the mammoth task of analysing and categorizing the immense corpus of the north Indian vernacular superhero and adventure comics published by popular comic houses such as Indrajal, Raj Comics, and Manoj Comics.


Reviewed by: Suniti Madaan
Thamizhachi Thangapandian

Professor CT Indra has, over a period of time, evolved as a committed translator, covering a wide range of genres that include plays, novels and short stories. Internal Colloquies, a translation of selected poems from Thangapandian’s Vanapechi is, by her own admission, Indra’s ‘maiden attempt’ at translating poetry. 


Reviewed by: Lakshmi Kannan
Annada Shankar Ray

Basanti, the protagonist of the novel is a misfit in conservative, pre-Independence rural Odisha not only because she reads and writes on her own choice, but also because she marries out of love a man not belonging to her own caste and in spite of confronting regular conflicts with her conservative mother-in law, manages to run a girls’ school in the village. Suppressing her liberated values, she sacrifices her life for the well-being of her new home ‘through sheer will power’


Reviewed by: Somdatta Mandal