Arun Prakash

Eight fragile human figures, an equally fragile boat, the churning sea in the background – the stark matte black cover with a blue tinted black and white photograph of everyday beach life, fisherman hauling their catch – is a telling picture of this collection of Arun Prakash’s short stories.


Reviewed by: Madhu Joshi
Abhay Kumar Dubey

In their final round of “head-and-tail”—very matter-of-factly—children sing a strange limerick— Shahron mein ik shahar mila Ik shahar mila Kulkutta Kulkutte mein mila aulia Khoob mila albatta


Reviewed by: Anamika
Girdhar Rathi

Girdhar Rathi is an important Hindi critic, editor, translator, poet and litterateur. He has been the editor of the Sahitya Akademi’s journal Samkaleen Bharatiya Sahitya since 1991, which he has edited with zest and flair.


Reviewed by: Roomi Naqvi
Monica Das

Every successive gender-ratio study reveals the depressing fact that the Indian girl child is well on the way to becoming an extinct variant of the species. So it is heartening to hear her voice through this set of tales edited by Monica Das, who in her introduction sets out the chilling figures which form the painful backdrop to these stories:


Reviewed by: Bunny Suraiya
Mrinal Pande

Mrinal covered five states including West Bengal, Tamil Nadu, Maharashtra, Gujarat and Rajasthan. And often we feel that we are walking alongside. Her introduction begins thus: “Imagine a spectrum, at one end of which is a mud and straw hut in Rajasthan, where an under-nourished, anaemic nineteen year old mother of three is expecting her fourth child.


Reviewed by: K. Saradamoni
Deepti Priya Mehrotra

These two books, both published by Penguin in 2003 talk of women in India; certainly not all women and everywhere. One can see some commonalities in the two books , but they are also different and they have to be dealt with separately.


Reviewed by: K. Saradamoni