Reading a collection of essays written as discrete pieces over a long period of time is a curious exercise in freedom. I’d imagine it would enable the author to break free of ‘writing time’—from the chronology of her own labour process- and engage with her own work as a dialogue of ideas that may not have surfaced all at once.
Selvy Thriuchandran’s book is essentially a description and analysis of two types of verses from the oral tradition that used to be commonly sung by women in Sri Lankan Tamil society over time even though the popularity of these have diminished in more recent times. The types of verses Thiruchandran has focused on are tallattu and oppari, which are described by her as lullabies and lament songs respectively.
One of the many treats of this book, an anthology of nineteen autobiographical essays on motherhood, is a marvellous evocation of food by some of the contributors. C.S. Lakshmi heads the list, with sections such as ‘Songs on the Terrace and Cakes with Green and Pink Icing’ and ‘Food as Communication, Food as Adventure’.
This is an important book that captures in detail and great finesse through a study of ‘contentious marriages’ the ongoing processes of social change in northern Indian society. By focusing on the central institution of marriage it weaves together the inter-relationship between caste, class and gender and its impact on women in Haryanvi society.
The author begins the text by attempting to dispel a few myths. Matrilineal Communities, Patriarchal Realities deals with the past, the present and concludes with suggestions for a better future.
According to The World Migration Report almost 50% of all migrants are women. This process termed as ‘the feminisation of migration’ has been rightly become the focus of many researches.