Premchand occupies an iconic status in the Hindi literary sphere as the foundational figure of modern Hindi fiction. He is seen as the exponent of realism, whose works have been considered not only to have democratized the literary domain by including those who.


Editorial
Saadat Hasan Manto

Capitalized SAADAT HASAN MANTO, printed against strands of jet black hair that have escaped the floral edge of a burqa, which reveals more than it conceals; arched eyebrows, large and thickly kohl-lined eyes, the partial tantalizing glimpse of painted lips.


Reviewed by: Catherine Thankamma
Mirza Athar Baig

Urdu fiction is mostly known for its realist, humanist approach. Even in its most experimental incarnations, Urdu writers did not make any radical break from the modernist aesthetics. Mirza Athar Baig, a revolutionary in this sense, has been hailed as a pathbreaker who with each.


Reviewed by: Nishat Zaidi
U.R. Ananthamurthy

After Tagore and Premchand, if one can think of a literary figure who has had a national reach in India, it is UR Ananthamurthy (1932-2014).  URA was no doubt  the most influential Kannada writer of his times. But he was, equally, an inspiring teacher, creative administrator.


Reviewed by: Vanamala Viswanatha
Paul Chirakkarode

Pulayathara was published in the year 1962. It was the first novel in Malayalam to give a graphic description of the Dalit Christian condition. The novel was largely ignored by the reading public and critical establishments. However, the scorching issues of land, labour and faith that the book sought to project, continue to haunt millions.


Reviewed by: GS Jayasree
C. T. Indra and T. Sriraman

The Solitary Sprout is a treat to read. This will come as no surprise to those familiar with Chudamani’s books. Like the others, this book contains no violence or sex, preaches no doctrine, upholds no morals……just twenty simple tales of the everyday life of mostly Tamilian families.


Reviewed by: Meera Rajagopalan